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  • Writing Fiction to Get Rich  

    by Michael LaRocca

    WRITING FICTION TO GET RICH
    Copyright 2004, Michael LaRocca

    Some of us write simply because we can't not write. Ideas grab
    us, move us, and demand to be written. We strive to make it as
    real as we possibly can, to improve at our craft every day,
    hopefully to make it into the realm of literature as well as
    entertainment. We want to craft an entire world where the places
    and people are so real that the reader doesn't feel like he's
    reading a book as much as he is going to another place. In the
    lofty world of literature that we strive for, the reader will
    still think about the book after reading that last page. It's
    our gift to the reader, something to take with him. Given
    sufficient skill, this can even happen long after we are dead.

    Then we learn that doesn't sell. Oh, there are exceptions. Some
    novelists make a living by consistently writing quality
    literature. But, there are quite a few best sellers who have no
    such goals. They write for money, and they make it.

    Even the writer who has written great literature has trouble
    marketing it that way. We have to look at our "target audience."
    Who will buy this book? Let me see, our heroine survived spousal
    abuse, so there's an audience. There's a suicide, so we can get
    the bereavement crowd. Where's the setting? We can get a local
    audience. The hero's a cop. Maybe the teen boys will go for that.
    Nah, too light on action. But there's a romance. Maybe we'll
    market to the romance readers. Give the hero bedroom eyes and
    pass him off as a romantic hero. Yeah, that might work.

    But if you want to write to get rich, even that's not enough.
    Nah, the time to think about your reader is before you write
    the book, not after.

    Throw in lots of gratuitous sex, preferably extramarital. One
    (and only one) character who flirts and is sorely tempted and
    walks away from "love" to remain true to his wife.

    Use taboo words for shock value. Ram, hump, scream, oral sex,
    voluptuous, female orgasm (the great revelation). Make sure a
    lot of your leads enjoy sex. Horny women are a good way to pull
    in the readers you want. We all know men are horny, but most of
    your readers haven't discovered that some women enjoy sex too.
    Tell them this. Give the female readers a balm for their
    consciences and the male readers someone to dream about.

    Your heroine should be tough, sweet, sensitive, and very horny,
    and has to think she's not attractive even though every guy in
    the book except her husband falls off his chair with a tent in
    his pants.

    Don't let the length of a novel faze you. Just throw some people
    on the stage, move them around a bit, and get them into bed.
    Then, change the rules so they have to move around a bit again
    and get them back into bed. (It doesn't always have to be a bed.
    Office desks and car seats work too.) When the book's long enough,
    stop. Don't worry about the "climax," because people are
    climaxing all over the place.

    Exotic locales. Foreign countries with beaches. Lots of rich
    people. Remember that you're writing for the lowest common
    denominator, because they spend most of the money that you're
    trying to reel in. Make it sleazy. No one ever went broke
    underestimating the public.

    How to publish? To do it right, write the sales pitch before you
    write the book. Make sure the book follows the pitch and the
    formula. If your cover letter alone has eight typos, no problem.
    Nobody cares. The publisher will wanna rush this baby to print
    and get you, or an attractive stand-in, doing as many TV
    appearances as possible before the book reviewers have time to
    draw breath. Heck, your target market doesn't read book reviews
    anyway! Also keep in mind that once that reader buys your book,
    you've won. They won't get a refund just because you're
    illiterate. So don't worry about hiring an editor. Hire a
    publicist!

    Think Hollywood. You want your book to become a movie. It
    doesn't have to be a good movie, because most of them aren't. It
    just has to sell, baby, sell! Write parts for all the hottest
    stars. True, today's hottest stars will have faded by the time
    they start filming your movie, but no matter. Someone just like
    them will replace them.

    I've been doing it wrong for all these years. I started writing
    over 20 years ago, and the five books I have on the shelves are
    enough to make it a hobby that barely pays for itself. Meanwhile,
    I work at a job for my money. But if you follow my advice, you
    won't make the same mistakes I have. You'll get rich!

    About the Author

    Michael LaRocca's website at http://freereads.topcities.com was
    chosen by WRITER'S DIGEST as one of The 101 Best Websites For
    Writers in 2001 and 2002. He published two novels in 2002 and has
    two more scheduled for publication in 2004. He also works as an
    editor for an e-publisher. He teaches English at a university in
    Shaoxing, Zhejiang Province, China, and publishes the free weekly
    newsletter Mad About Books.







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